I like the flogger best, stand still

Six word Stories

If you spank me I’ll cum

Six word Stories

I wanted more than he gave

Six word stories

That part of me was gone

carlboygenius:

BETTY BOOP - The Original StoryMs. Esther Jones, known by her stage name, “Baby Esther,” was an African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem.
Ms. Jones singing style went on to become the inspiration for Max Fleischer cartoon character’s voice and singing style of “Betty Boop”.
YES: “Betty Boop” was a black woman. Singer Helen Kane saw her act in 1928 and copied it, stole it. Ms. Jones’ “trademark” singing style for a recording of, “I Wanna Be Loved By You.” with interpolated words such as ‘Boo-Boo-Boo’ & ‘Doo-Doo-Doo’ in her songs at a cabaret was a style all her own. An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. During the $250,000 infringement lawsuit, Esther’s manager testified that , “Helen Kane & her manager saw Baby’s act somewhere between 1928-1929.Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928.” Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.As an added note, scholar Robert G.O’Meally said, Betty Boop, the WHITE CARTOON character herself had, as it were, a BLACK grandmother in her background. Baby Esther was presumed dead by 1934, just when the lawsuit had ended. carlboygenius:

BETTY BOOP - The Original StoryMs. Esther Jones, known by her stage name, “Baby Esther,” was an African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem.
Ms. Jones singing style went on to become the inspiration for Max Fleischer cartoon character’s voice and singing style of “Betty Boop”.
YES: “Betty Boop” was a black woman. Singer Helen Kane saw her act in 1928 and copied it, stole it. Ms. Jones’ “trademark” singing style for a recording of, “I Wanna Be Loved By You.” with interpolated words such as ‘Boo-Boo-Boo’ & ‘Doo-Doo-Doo’ in her songs at a cabaret was a style all her own. An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. During the $250,000 infringement lawsuit, Esther’s manager testified that , “Helen Kane & her manager saw Baby’s act somewhere between 1928-1929.Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928.” Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.As an added note, scholar Robert G.O’Meally said, Betty Boop, the WHITE CARTOON character herself had, as it were, a BLACK grandmother in her background. Baby Esther was presumed dead by 1934, just when the lawsuit had ended.

carlboygenius:

BETTY BOOP - The Original Story

Ms. Esther Jones, known by her stage name, “Baby Esther,” was an African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem.


Ms. Jones singing style went on to become the inspiration for Max Fleischer cartoon character’s voice and singing style of “Betty Boop”.

YES: “Betty Boop” was a black woman. 

Singer Helen Kane saw her act in 1928 and copied it, stole it. Ms. Jones’ “trademark” singing style for a recording of, “I Wanna Be Loved By You.” with interpolated words such as ‘Boo-Boo-Boo’ & ‘Doo-Doo-Doo’ in her songs at a cabaret was a style all her own. 

An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. During the $250,000 infringement lawsuit, Esther’s manager testified that , “Helen Kane & her manager saw Baby’s act somewhere between 1928-1929.Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928.” 

Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.

As an added note, scholar Robert G.O’Meally said, Betty Boop, the WHITE CARTOON character herself had, as it were, a BLACK grandmother in her background. 

Baby Esther was presumed dead by 1934, just when the lawsuit had ended.

spectredelarose:

Anna Pavlova and Laurent Novikoff photographed by E.O. Hoppé, 1923

spectredelarose:

Anna Pavlova and Laurent Novikoff photographed by E.O. Hoppé, 1923

loveparisoftheplains:

Bennie Moten’s Kansas City Orchestra, 1923

One of the most important ‘Territory Bands’ of the 1920s, Bennie Moten’s Kansas City Orchestra recorded extensively, starting in 1923 for OKeh, then moving to Victor in 1926, where they made many fine records until Moten’s untimely death during surgery in 1933. L-R: Herman ‘Woody’ Walder, Lammar Wright, Moten, Mary H. Bradford (vocalist), William G. Little (vocalist), Ada Brown (vocalist), Thamon Hayes, Sam Tall, Willie Hall.

maudelynn:

Moulin Rouge Dancer c.1921 

via wikimedia.org